Not too Brad at all
Bullet Train (15, 120 minutes) By now people should have a pretty good idea what to expect from a David
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A joy to behold
Joyride (15, 93 minutes) Some films are not made with any great aspirations of commercial success, but with the wind
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An abundance of marsh gas
Where The Crawdads Sing (15, 126 minutes) The biggest trap you can fall into with an adaptation of a bestselling
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Nostalgia runs out of steam on the big screen
The Railway Children Return (PG, 98 minutes) Is there a place in today’s cinema for charming, saccharine evocations of a
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Love And Thunder hits a Thor point
Thor: Love And Thunder (12A, 119 minutes) It’s not the giant screaming goats, not Christian Bale still being completely recognisable
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Gru-ing pains
Minions: The Rise Of Gru (U, 88 minutes) Minions were the secret weapon of Despicable Me when the franchise was
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Extinction rebellion
Porcupine Tree – Closure/Continuation When Steven Wilson put the standard bearers for modern prog rock on the back burner in
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Ladies and gentlemen, Elvis has left the building
Elvis (12, 100 Minutes) Biopics are a passion project for some directors and a poisoned chalice for others. Putting the
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Buzz lacks a spark
Lightyear (PG, 107 minutes) Pixar are masters of audience manipulation. Just look at the first ten minutes of Up or
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Bourne to be wild
Jurassic World: Dominion (12A, 147 Minutes) It’s 29 years since CGI took the world by storm by bringing dinosaurs to
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